4-29-02
At Play in the Valley of Jezreel.
The journey is the reward.
Taoist saying
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I've got to keep this in mind: plans and goals are not the point. The point is the daily activity. What you do is what you do, not for the purpose of getting somewhere, but for the doing.
A newsletter I get is running a thread dealing with Website development v. design. One guy writes that he went to a design seminar where, instead of actual design, he was taught to play.
His point was that he expected to be taught some serious design skills. But, as he participated in the exercise, he remembered what it was like in college, before he became a professional.
Art, in its most creative form, is play. We take the world, especially the business world, so seriously that we forget to have fun. The designer realized he wasn't having fun in his work.
Duh. So what else is new? America has forgotten how to have fun, me included. (I have to keep reminding myself.) My journey, my daily life, is supposed to be an expression of my freedom.
Instead, I'm chained here to my computer, which I love, don't get me wrong, but it's become an obligation--unless I can keep in mind that it's a game I play, to keep from having to work.
This is what I do, this is my purpose, not posting my life to a Web site bit by bit, hoping to one day get the backlog posted, not completing the big goal, but doing it, day after day, happily.
My Website is actually one complex "blog" of my life, as if I'm surfing life instead of the Net, making notes as to where I've been, logging it all in my journal and transferring it to the site.
If I never get it all done, who cares? (I do.) But at least I got a lot of it done. At least I'm on my way. And that's the point I've got to keep in mind. I'm may be going nowhere, but I'm going.
When I'm on my deathbed, I'm going to be able to say that throughout my life, mostly, I've had fun. And if I then think the fun is over, I must remember: funeral is an anagram for real fun.
I dreamed this morning that I am out in front of my old house (6023) going through bags of old clothes that my mother is throwing out. I find a lot of clothes I want to keep. They're outdated, and some of them would no longer fit me, but I want to keep them anyway. Why? Because I like them. They appeal to me, to my sense of color and style. We're so practical, especially when it comes to things we think need to be discarded, like old clothes, or worn but functional furnishings, or old toys...whatever. We don't want a lot of things around cluttering up the place, if their only purpose is to have fun with (appreciate). If, otherwise, they are useless, especially if they look worn and dilapidated, pitch them. This is America: throw it out, buy new stuff, tear it down, build a new one; we're a pathological consumer society. I go inside the house and it becomes my older house (1728). In the kitchen, on the stove, I play with cooking food, as if it's an art. (It can be.) I'm so practical any more when it comes to cooking. Cook it, eat it (or eat it raw), and get back to work. I go upstairs into the front bedroom where I get out all of my old portfolios and review stacks and stacks of art¥ that I had done (far more than I really have). Then, I get out my old supplies and begin to experiment, not trying to produce any images or specific effects, but just applying paint and clear-coat to sections of paper and wood panels. Gene Wiegel comes into the room and appreciates me for the work I am doing. (He was always a common-sense, yet artistic and playful kind of guy.) Some of the clear-coat runs down the wood panel and I walk casually around to the other side, figuring I have plenty of time to catch it before it runs off onto the floor, but there's a hole in the middle of the board that I hadn't seen and as the liquid is about to run through it, Gene points it out to me just as I see it myself. [He and I are aspects of the same person, either 'me,' i.e., my ego (psychologically), or a meta-personality (metaphysically)]. I hurry around to catch it just in time, telling Gene that I figured I had plenty of time until I saw the hole. There's a flaw (a hole) in my theory of play somewhere, but I'm not sure where it is, i.e., I don't yet see it, and won't until just before it's too late. Maybe it's the fact that you can't play around when the world is about to blow itself to smithereens.
I got up to begin working at six am, but I didn't feel like it, so I went back to bed to meditate. There's a point I get to when I meditate, after about five minutes, which I will either get past and go on to a good session, or I will not and end up wasting my time. (But it's my time.) It has to do with how I perceive myself and the "outside" world. For a lot of years I tried (a basic mistake, trying) to "search" (another basic mistake) for "something" (I didn't really know what, of course, because if I had, I wouldn't need to search) "outside" of myself, i.e., in that "space" before my closed eyes. (Concepts are so difficult to explain re meditation, experiences defying labeling and conceptualization. Thus all of the quote marks.) A few years ago, I realized that the "space" was not really there, that what I was "seeing" (experiencing?) was actually my retina, or my "mind," or "something." But, during the best of my meditation experiences, when I actually do "see" "something," "it" always comes "out of" that "space," and since it doesn't exist, I conclude that "it" comes from a "place" between the two areas, my retina/eyes and the "real" world "outside," sort of like in the movie Poltergeist when stuff comes out of thin air above the stairs and drops to the floor, except that "my" "stuff" doesn't drop, but twirls and floats, bespeckled with points of light, more like the cloud that stuff comes out of in the movie than like the objects themselves. It's easy enough, early on in meditation sessions, to attribute this floating "matter/energy" to visual and/or cortical effects, but as it progresses, and especially as it transitions into various "tunnel-like" phenomena, it becomes obvious that it transcends mere physical/physiological bounds--in a way analogous (or identical) to the difference between my mind/retina and the "outside" world.
I like to play with these images in meditation. But sometimes, I get so serious about it. (I've been serious for so very long now, at least throughout the winter. This is what the winter does to me.) I get serious because I feel that if I have any chance at all of living beyond death, it is via the experiences I have and the "things" I learn during meditation. I don't know if this is true or just another religious superstition, but I feel that it's my best hope. Certainly better than the Christian mythology or winning my way to heaven by dying in a holy war. But play is better. If we're only here for a short time and then we're gone forever, it's better to play than work so seriously. And if God expects us to be serious, then I rather go to the devil. But I suspect that, if any of that is true at all, it's the other way around. What greater punishment could there be than to have to maintain a serious work ethic for the rest of eternity?
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